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The most useful thing you can do before building a glaze library is pick two or three reliable base glazes and run every colorant test through them consistently. This gives …
How to make a damp box for pottery — two versions, how to use it to slow drying, match moisture levels across a set, and bring pieces back from too-dry. Includes maintenance tips.
Materials Steps Clean up
Specific gravity is one of the simplest numbers you can track in your studio — and one of the most useful. If you mix your own glazes, measuring specific gravity …
Clay reclaim is one of the most important studio habits you can develop. Every scrap, failed piece, and trimming that hasn’t been fired can be returned to a fully workable …
Handbuilding is one of the oldest and most expressive approaches to making ceramics. Unlike wheel throwing, handbuilding doesn’t require a pottery wheel — just your hands, basic tools, and an …
Wheel throwing is the foundation of most studio pottery practice. Whether you’re just starting out or working to refine your technique, the guides below cover the wheel throwing essentials — …
A line blend is one of the most useful glaze testing methods available. It tests how a single variable — a colorant, a flux, an opacifier, or a second glaze …
A limited glaze pantry is the fastest way to start making your own glazes. You don’t need fifty materials on the shelf — you need a short list that covers …
Glaze making is one of the most rewarding and technically rich areas of ceramics. Whether you’re mixing your first simple base glaze or developing a complex glaze chemistry practice, the …